Blog

  • The Last

    Three weeks ago, we began our fall session of our Impractical Cabinetmaker Program. While I enjoyed our break immensely, having spent most of it in the shop and in our yard, I felt ready for the return to teaching and what has become our way of life. Over a decade ago, after suffering a non shop related injury which made it difficult for me to continue with my work, at least on a full time basis. I took the advice of two people very dear to me and turned my attention to teaching. Fifteen years later, and after much personal reflection, I have come to the realization that teaching has become, and will continue to be cherished aspect of my life. It may not have quite the appeal to some as the solitary life as craftsman, but it, combined with having a place of my own to work again, has given me balance in my life. This past summer I entered another stage in my life as a craftsman, I began to write. The first chapter of Heart Hand & Eye is due to be in my editors hands this coming Monday. I am very much looking forward to working with John Kelsey on this book. I will continue on my cabinet and chairs, a couple hours each morning, before heading into the school, in preparation for our tenth year anniversary exhibition next May. The rest of my day will be spend teaching, writing, and enjoying this beautiful place we live.

    What has made all this possible, is my soulmate, my partner in life and work, and her unwavering support throughout my journey as a craftsman. I no longer look at my life as a craftsman, teacher and writer as separate entities, the teaching and writing is just part of my life as a craftsman.

    For several years, we tried bringing in alumni to assist with the program. There never seemed to be a good fit, and to be quite clear, I blame myself for this. As someone who has always been very passionate about what I do and how I do it, and having made a promise to an old friend to always stay the course, there was very little room for deviation from our mission. We decided to let the idea go and focus on getting the program where I it wanted to be. After trying variations of the conventional nine month program, including a second year and residency, we went our own way. We opted for four ten week programs providing us with a comprehensive full year program, with four intakes a year. Focusing on what we do well and formalizing our commitment to the education of craft, honouring JK’s legacy. The Impractical Cabinetmaker Program is entering its second year, having replaced our Artisan and Craftsman programs and thus far has been very well received by our students. 

    David Welter, a dear friend, was one of my teachers when I was student at the College of the Redwoods. He is a true Krenovian, and has been the guiding light for the program there for many years. A few years ago, after trying various alumni in part time teaching roles at the school, and not finding the right fit, I shared my disappointment with Yvonne. She smiled and said, “Don’t worry you’ll find your David Welter for our school someday.”, and while I admit that comparison raises the bar, We found him. Or should I say her. It was two years ago this past August, that I arrived at the bus stop a couple of days before our fall term, to take in our recycling, that a young woman asked me if I was Robert. She introduced her self as Caroline, “I am one of your students”. We chatted at the stop, and on the way into Gibsons. When I got off the bus ahead of her, I had no idea the impact she would have on our school. It was obvious from the start that she really understood what our school was all about. Passionate about our material, with a strong reverence for the craft and to JK. When she was nearing completion of her first year, she suggested that she wanted to stay on for a second year and a residency. Ironically it was about the time, when after years of development, we were ready to phase out the second year and residency programs in favor of our Impractical Cabinetmaker Program. After discussing it with Yvonne, we agreed one last one.

     Caroline Woon - Resident Craftsman & Teaching Assistant
    Caroline Woon – Resident Craftsman & Teaching Assistant

    In the last ten week session, Caroline worked along side Nondas, in Vidar’s Chair Program. I asked her to make another Vidar’s chair, this one for my shop. The chair would be used to demonstrate the process of making the chair. When we spoke about it for the first time, I suggested that, as it is a shop chair, there was no need to finish it completely. One arm shaped, the other off the bandsaw would be fine. During the last break, she delivered it to my shop. As I write this I am sitting in a fine chair that has but one tiny bandsaw mark left, in the top of left arm, which Caroline choose to leave as a reminder of our initial conversation, the rest of the chair is flawless, consistent with her work. This fall she has begun the transition from student to teacher, as she provides our students with individual consults on Thursday afternoons each week, after my afternoon lecture. As I write this, I am so very grateful for her presence at our small school.  
    Be well and enjoy your work,
    Robert

     

     

  • A Sign

    My friend Ian recently asked me to build a sign for the local health food store, which he owns and operates. He gave me couple of lengths of beautiful Douglas Fir and a design he had drawn up… and this week we hung it in front of the store.

    I was delighted to do some work for a good friend and an awesome local business just a hundred feet away from the school. I do lots of grocery shopping here as the store carries a great selection of local and organic produce, free range eggs, organic meats, bulk foods, health and beauty products, as well as locally made art, jewellery and gifts. Gladly I received store credit in return – thanks Ian for the awesome exchange!

     Hello Ian!
    Hello Ian!

    I really enjoyed this project after working complex angled joinery for some time… nice and simple 90-degree mortise and tenons but at a larger scale than I am used to working. The hardest part was finding a perfectly sized router bit to run the grooves for the panel.

     Fitting the panel
    Fitting the panel

    It was my first time working with Douglas Fir and I found that I loved its smell as I mortised and cut curves on the bandsaw. It was fun planing although it had some sections of reversing grain that tore out deeply even with the lightest cuts, so I scraped and sanded a bit.

    Gary, dear friend of the school and relief teacher, gave me some finish intended for outdoor cedar called Cedar Seal. We figured it would work just fine on the Fir and its quick-drying, low-VOCs, one-coat application was highly appealing. It left the wood looking natural and warm after it dried and I was very pleased. Thanks, Gary. It’ll be interesting to observe how it holds up to the rain and sun.

  • The Start

    A busy month has passed since my last entry and I am super stoked to be back in the shop this week for our fall session.

    On Monday we welcomed a small group of new students to the school, and returning students John and Alberto to the Composing and Upward Spiral programs. It’s wonderful to have you both back.

    Thursday signalled the start of something new for me. In the morning I finished weaving the seat of my chair, marking the end of a year and a half of going deep into Vidar’s chair, building another immediately after completing my first one and guiding another student through the process. I felt a great sense of accomplishment to have reached this point, tired and happy.

    Then I jumped into my first round of individual consults with the students following the afternoon lecture, which I shall be doing once a week this session. My excitement for this work rose up quickly as I talked to our new students about spokeshaves, my most used and loved tool for this last period of chairmaking. I loved feeling their shared excitement as they got to know their tools, shaping their Gumby legs to gleaming sheared surfaces.

    After cleanup, I delivered my chair on foot to Robert’s shop at home, just 300 metres up the road from the school. It gave me great joy to set it down at Robert’s red cedar writing desk, knowing it will live next to JK’s bandsaw, surrounded by planks of precious wood that have been with my teacher for many years.

     Shop Chair

    Robert and I then sat down for some tea. Sometime during our discussion of my next project, Robert had an idea, went into his shop and came out with an incredible plank of European boxwood. The wood is hard and heavy, butter yellow, with the smoothest finest grain. Then Robert handed me one of JK’s planes and plane hammer and I took a couple of shavings.

  • Living Simply

     collecting rainwater
    collecting rainwater

    “I live in a beautiful place. I work at something I love, I make enough money to live, and my demands on the world’s resources are very meagre. What’s so unusual about this idyllic circumstance is that there is plenty of room for more to join.” – John Brown

    This is one of my favourite quotes by one of my favourite authors, one I write on the board, at the beginning of each of our sessions, as I really do feel it best conveys what our little school is all about, or perhaps at very least, my hopes for our students. With the doors for my cabinet roughly shaped, and the rest of my stock resawn and resting, I set my work in the shop, and my writing aside and turned my attention to home preparations for the fall.

    A few weeks back, when Caroline and I were on the wood run, we picked up a couple of oak wine barrels. This past week, Yvonne and I converted two of them into rain barrels for our home. We have always collected rain water using old buckets and containers, but this gives us more capacity and a simpler solution to changing buckets during the rainy season. We will eventually add two more at the front of our home. 

    Today, I steered our old 1987 Volkswagen Westfalia out of the shed, and down to the road. It was with a heavy heart, that I put out the For Sale sign. It was two years ago this past May when after doing significant restoration work on it, the transmission went. At the time, having invested significant time and money, we made the decision, to lessen our carbon footprint further, and see if we could survive a year without a vehicle. 

    We live just a few hundred meters from the school, and the Sunshine Coast has a wonderful public transportation system. Even when I travel to teach, I can pick up a bus across the street from the school in Roberts Creek and arrive at the International Airport in Vancouver in about the same time as it would take to drive. I use the bus to pick up our groceries and other necessities. We use a wheel barrow to move offcuts and heavier items to and from the school. We shop locally, and we were delighted to learn that many of our suppliers deliver for a modest fee. We are able to rent a truck locally to go on wood runs. Meanwhile, two years later, It was easier than we thought, and while I am not naive enough to think that it is for everyone, it fits our lifestyle. 

    Tomorrow, with the shed nearly empty, we will begin to haul and stack the wood that will keep our little cottage warm in the coming months. As we stack our wood, it is my hope, that John Brown will be smiling upon us.
    Be well and enjoy your work,
    Robert

     

  • Robert Whelan – Edmonton Alberta

    Inside Passage and Roberts Creek has been a life changing experience. A place where I have built dear friendships, beautiful memories and special moments. It is hard to pick just a few to write about. It is not only about becoming sensitive to this craft. It is not only about making your work better. It has fundamentally been about making yourself better. You have to open yourself up to it; let yourself be surrounded by it. It has been about soft spoken memories and kindred spirits of a Scandinavian woodworker and his student who both wanted to let people know that it is possible. That it is possible to to take this passage and be changed forever. 

  • Sticks & Stones

     curves in transition
    curves in transition

    I felt a bit disjointed in my work, this week. Perhaps it was just a bit of a change in what has come to be my cherished summer routine. This has been a special time for me. I feel more connected to my work than I have for quite some time. 

    In the beginning of the week, Caroline and I ended up doing a last minute wood run to the lower mainland. It is always wonderful to see young craftsman so enthusiastic for our chosen material. Looking under everything, in corners, climbing all over the piles, looking for surprises or possibilities. We returned with a few precious sticks of wood, most of them harvested within a hundred and fifty kilometres of the school.

    With the stock for my drawer pocket settling, I returned to the shaping of my doors. The teak has moved quite a bit since it was first cut, the curves had sagged a bit and I had to work hard to get every bit of the pinch I had intended. I laid out the inside curves and something didn’t look right. I adjusted my lines, stepped back and looked again. That was better. I went out to have another look after dinner and they are just fine. Funny how ones perspective changes when you get away from something for a while. 

    The teak is wonderful to work, however even with a couple of planes and spokeshaves on the go, it was giving my stones a workout. Be well and enjoy your work, I know I am.

  • Eastern Influence

     'Buddha'
    ‘Buddha’

    I spent a couple of days at the school, preparing for the fall term, then returned to my little shop to continue with my work, and to write. I set aside the chairs I had been working on. This was familiar work, and can be done in the mornings before I teach this fall. 

    One of my students had asked me to bring out the little ‘Buddha’ cabinet I had started a while back and had set aside, because the next stage would require more focus and regular shop time. When I was preparing my shop for our end of session elephant, I sat with it a while and decided that now might be a good time to return to it. It is good to have curious students.

    I had the carcass and the doors, but it took me a day or so to find the rest of the wood, and hardware. As I began to look at each of the pieces, I realized that there had been some significant movement, most notably the bottom which had cupped nearly 6mm. My tolerances were pretty tight with the doors, and after thinking on it, I decided to replace the bottom. I looked through my stock and found one nearly as good as the first. 

    This week, I mocked up the interior. As the cabinet is quite low, I had initially intended to have three drawers across the top, in the end I opted for one, with open sides. I resawed the stock for the partitions, drawer and frame and panel back. The partitions would be teak, consistent with the carcass, as would the rear frame. The panels and drawers of Lebanese cedar. The drawer front, a small piece of yakka, I have had with me for many years. After allowing the pieces for the partition to rest a few days I jointed and thickness planed each of the pieces closer to their final dimension. The replacement bottom, I was able to joint, but the planer head on JK’s old machine wasn’t wide enough to thickness it. I have access to one just down the road, but I would have it done in the time it would take me to walk down to the school,  so I would do it by hand. 

    When I came in the shop this morning, ready to mill the stock to final dimension I realized, it had moved again. They were flat the day before, and had been stored carefully. I have told my students before, that we are dancing with a living material, but were not always leading. I decided that my tolerances were too tight, even for Jim’s fine old machines. I would leave them another day or so and do them by hand, an exercise, I have my students do regularly, ensuring them that it is something that they will need to do from time to time. Teak is wonderful to work, but it is tough on edges. I would need to sharpen often. I brought down a couple of Jim’s old planes, and one I had made from a piece of mesquite and an iron, he had left for me, and tomorrow will began to make shavings. 

    Be well and enjoy your work,
    Robert

     

  • Welcome to my Journal

     JK's hand tools
    JK’s hand tools

    Welcome to our new website. I would like to take this opportunity to thank Craig Johnson for his support and guidance through the process. Craig is a fine craftsman and an even finer person, we are very grateful for his ongoing involvement with the school. It has been a pleasure to watch him develop as a student, an gifted craftsman and we look forward to him taking on a teaching role at the school.

    At the school, we are nearing the completion of our summer session of the Impractical Cabinetmaker Program. We have been very fortunate to have yet another group of beautiful people originating from five continents. In a few days we will hold our final Elephants at our home where our students will have the opportunity to see what I have been up to in my shop, including Jim’s original hand tools and machines. They will also have the opportunity to experience one of his cabinets, while we listen to one of his farewell addresses he delivered to our students a few years back. While it there will be difficult goodbyes to say, I am very much looking forward to some time in my shop and the opportunity to work on my book. After having been set aside for several years, Heart Hand & Eye is scheduled for publication in the fall of 2015.

    Yvonne and I have settled on the dates for our tenth annual Student Alumni & Faculty Exhibition, which will take place on May 2, 2015 at the Roberts Creek Community Hall. We would like to take this opportunity to invite our alumni, friends and family to join us for a retrospective of work past and present. A welcome Elephant will take place at the school Friday night, with a Alumni Brunch at the Gumboot Cafe on Sunday morning following the exhibition. Please stay tuned for more details. 

    Since completing her second year of study, Caroline Woon has stayed on for a residency, and has moved into a teaching assistant role at the school. Yvonne and I are very grateful to have this fine young craftsman and person join us at the school.

    I would like to thank all our students, past and present. This school not only exists for you, but because of you. I would also like to thank Yvonne, my partner in life and work. None of this would be possible without all your years of loving support.

    This journal will focus on my current shop work and reflections on teaching. The image above was taken in my shop this morning. You will notice that there are a few tools missing. That is because they were at my bench in use. My next entry will focus on what I have been up to in my shop. 

    Be well and enjoy your work,
    Robert

  • 2015-09-05 Student Alumni & Faculty Exhibition

    Student Alumni & Faculty Exhibition

     

    Saturday, May 2, 2015
    6-9pm
    Inside Passage School
    of Fine Cabinetmaking

    Join us as we celebrate our tenth year of providing craft education for the aspiring amateur

    Welcome Elephant

    Friday, May 1, 2015, 5pm
    IPSFC

    Alumni Brunch

    Sunday, May 3, 2015, 11am
    IPSFC

  • Welcome to Caroline’s Journal

     Nondas and I with our chairs nearing completion
    Nondas and I with our chairs nearing completion

    Hello and welcome to my journal. I am honoured and excited to have this space to share with you a look into our work and life at the school.

    For the last ten weeks I have been assisting in the Vidar’s Chair program, working alongside Nondas as he builds a set of two. Soon his chairs will be travelling across the country to Nondas and Melissa’s new home in Maine, to find their place at the dining table. 

    Here we are in the final stages of fitting and shaping of arms and back splats, looking forward to our final assemblies.

    It has been a most enjoyable shared learning and teaching experience for me and I am grateful to have crossed paths with this fellow woodworker. Nondas, your unfailing kindness and amazing energy will be missed in the shop. 

     Robert and Nondas looking for chair parts
    Robert and Nondas looking for chair parts

    As I complete my second build of this chair in the next few days, I will be reflecting more on this summer session, a very significant one for me as a craftsman and in my life here in the Creek. For now I give deepest thanks to Robert and Yvonne for creating this warm and beautiful place, where I come to enjoy my work.